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In one poignant scene, Carlos Marx (Allen Ginsberg) is whining to Sal about how vulnerable he feels due to his poorly-returned love for Dean. (That could also explain its delayed US release). So the movie is more historically accurate, and far more sexually explicit than the book. Several episodes that were censored from the book are restored in the film. We have lost our innocence our last chance to revisit it, even for a few hours, is taken away.I'm not going to rage against this re-conception of the story, though, because it makes other changes from the book that might be improvements. This might be a fair reading of Kerouac's ultimate feelings about that part of his life, but it's not the feeling that Kerouac shares with us in the book.
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We see the endlessly exuberant Dean Moriarity ultimately coming to grips with the progressive self- destruction attributable to his amorality, and suffering. We see Sal Paradise, only half-formed at the start of the story, pull himself together to become a serious writer. The manuscript has been rewritten to add breathing space and objectivity. But the story comes at us very differently from the book experience. It's a nice production, with an attractive cast. Instead, we have a more conventional treatment, focusing on character development. We come away impressed by the energy, not the content.Film could certainly have been used to amplify this effect, but this is not that film. It's the momentum that sucks us into the breathless chaos of Kerouac's world. The book burns through its shreds of storyline as if they were just tinder for the blaze of its energy the real fuel is the pacing, even with all its redundancy. Now, at last.So, everyone already knows the story? well, no chances are, if you're like me, you read the book and yet remember almost nothing of the story. For 50 years, it's been waiting to be made into a movie. As everyone knows, it's the thinly-veiled autobiographical account of Kerouac and his friends in their pointless but exuberant adventures across America. And one of these few is Jack Kerouac's On the Road. There are very few works of 20th-century American literature that can be called indispensable to our understanding of our culture.
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